From the time of the Picts to the present day, Scotland has played an important role in the development of British brewing, providing a host of inventions and other contributions vital to its success. Covering such topics as Scotch Ale, Porter, Shilling Ales and the influential waters of Edinburgh and Alloa, The Little History of Scottish Brewing will intrigue both the aficionado and the interested enthusiast.

Second big screen outing for the popular cult superhero Hellboy (Ron Perlman), who originally appeared in Mike Mignola's Dark Horse comic series. In this highly acclaimed instalment, the mythical world starts an uprising against humanity in a bid to take over the Earth, and Hellboy and his team are all that stand in their way. Can the superheroic redfaced demon prevent the destruction of mankind once again? Guillermo del Toro writes and directs, and Selma Blair reprises her role as Hellboy's love interest, Liz Sherman.

J. A. Fuller Maitland (1856 1936), whose Masters of German Music is also reissued in this series, was music critic of The Times for 22 years, was the editor of the second edition of Grove's Dictionary of Music and Musicians, prepared an edition of the Fitzwilliam Virginal Book, and also worked on Purcell and on folk song. This biography of Schumann, in the 'Great Musicians' series edited by Francis Hueffer, was published in 1884, 28 years after its subject's death. It is dedicated to Schumann's widow, Clara, who the author consulted, along with Joachim and others; but he also acknowledges that those hoping for an exhaustive life of Schumann would be disappointed: 'The time for writing such a life is not yet come.' Nevertheless, this book contains a survey of Schumann's compositions as well as his critical writings and a range of contemporary critical responses to his work.

J. A. Fuller Maitland (1856 1936), whose Schumann in the Novello 'Great Musicians' series is also reissued in this series, had a wide-ranging interest in music. He was music critic of The Times for 22 years, was the editor of the second edition of Grove's Dictionary of Music and Musicians, prepared an edition of the Fitzwilliam Virginal Book, and also worked on Purcell and on folk song. This book, published in 1894, surveys the then current state of German music, with essays on Brahms, Bruch, Goldmark and Rheinberger. Bruckner is mentioned as a 'Little Master', and Richard Strauss appears in the final chapter, entitled 'New Paths (?)' but the surprise for present-day readers is that the composer fulsomely claimed by Fuller Maitland as the natural successor to Wagner, Cyrill Kistler, is now almost completely unknown.

This book concerns the relationship between ideas and power in the genesis of the Roman empire. The self-justification of the first emperor through the consensus of the citizen body constrained him to adhere to 'legitimate' and 'traditional' forms of self-presentation. Lobur explores how these notions become explicated and reconfigured by the upper and mostly non-political classes of Italy and Rome. The chronic turmoil experienced in the late republic shaped the values and program of the imperial system; it molded the comprehensive and authoritative accounts of Roman tradition and history in a way that allowed the system to appear both traditional and historical. This book also examines how shifts in rhetorical and historiographical practices facilitated the spreading and assimilation of shared ideas that allowed the empire to cohere.

This book concerns the relationship between ideas and power in the genesis of the Roman empire. The self-justification of the first emperor through the consensus of the citizen body constrained him to adhere to legitimate' and traditional' forms of self-presentation. Lobur explores how these notions become explicated and reconfigured by the upper and mostly non-political classes of Italy and Rome. The chronic turmoil experienced in the late republic shaped the values and program of the imperial system; it molded the comprehensive and authoritative accounts of Roman tradition and history in a way that allowed the system to appear both traditional and historical. This book also examines how shifts in rhetorical and historiographical practices facilitated the spreading and assimilation of shared ideas that allowed the empire to cohere.

Interweaving social, political, environmental, economic, and popular history, John Alexander Williams chronicles four and a half centuries of the Appalachian past. Along the way, he explores Appalachia's long-contested boundaries and the numerous, often contradictory images that have shaped perceptions of the region as both the essence of America and a place apart.

Williams begins his story in the colonial era and describes the half-century of bloody warfare as migrants from Europe and their American-born offspring fought and eventually displaced Appalachia's Native American inhabitants. He depicts the evolution of a backwoods farm-and-forest society, its divided and unhappy fate during the Civil War, and the emergence of a new industrial order as railroads, towns, and extractive industries penetrated deeper and deeper into the mountains. Finally, he considers Appalachia's fate in the twentieth century, when it became the first American region to suffer widespread deindustrialization, and examines the partial renewal created by federal intervention and a small but significant wave of in-migration.

Throughout the book, a wide range of Appalachian voices enlivens the analysis and reminds us of the importance of storytelling in the ways the people of Appalachia define themselves and their region.

The book aims to describe the history of Chan (Japanese Zen) School thought from the standpoint of social history. Chan, a school of East Asian Buddhism, was influential on all levels of societies in the region because of its intellectual and aesthetic appeal. In China, Chan infiltrated all levels of society, mainly because it engaged with society and formed the mainstream of Buddhism from the tenth or eleventh centuries through to the twentieth century. This book, taking a critical stance, examines the entire history of Chan thought and practice from the viewpoint of a modern Chinese scholar, not a practitioner, but an intellectual historian who places ideological developments in social contexts.   The author suggests that core elements of Chan have their origins in Daoist philosophers, especially Zhuangzi, and not in Indian Buddhist concepts. Covering the period from the sixth century into the twentieth century, it deals with Chan interactions with neo-Confucianism, Quanzhen Daoism, and Gongyang new text philology, as well as with literature and scholarship, its fusion with Pure Land Buddhism, and its syncretic tendencies. Chan’s exchanges with emperors from the Song, Yuan, Ming, and Qing Dynasty, as well as the  motives of some loyalists of the Ming Dynasty for joining Chan after the fall of the Ming, are described. The book concludes with an examination of the views of Chan of Hu Shi, D.T. Suzuki, and the scholar-monk Yinshun.